He almost certainly had no idea that the fact that he was rich was as strange to me as the fact that he could lift up a truck with one hand. [loc. 1255]
But this time Holly discovers Ultimate Man's secret identity ...
Spandex and the City is a witty love-triangle romance -- Holly finds herself attracted to both hero and villain -- with rather more in the way of underlying philosophy than that capsule categorisation might suggest. None of the characters are especially happy. Holly has problems finding a suitable date, and is alienated from her family: she thinks they don't care about her. Ultimate Man also has problems dating (see 'Man of Steel, Woman of Kleenex' for one of the reasons) and is isolated by his wealth and his powers. Frederick Cecil's mission is wholly philanthropic and well-argued (I do feel he has a point) but he's the product of an unpleasant childhood and hinted-at abuse.
Nevertheless, Spandex and the City is a witty and entertaining read. It's also a perceptive exploration of the pervasiveness of social media and the internet, typified by Holly's dependency on her smartphone and the social crises caused by a telecomms failure.
Also features a namedrop for Spiderman -- "We meet at, you know, trade conferences and so on". Colgan knows her genre: Spandex and the City is in part a critique of the superhero genre, but an affectionate and well-informed one.