Tuesday, September 02, 2025

2025/141: The Nature of the Beast — Louise Penny

One person, not associated with the case, would be chosen to represent all Canadians. They would absorb the horror. They would hear and see things that could never be forgotten. And then, when the trial was over, they would carry it to their grave, so that the rest of the population didn’t have to. One person sacrificed for the greater good. “You more than read his file, didn’t you?” said Myrna. “There was a closed-door trial, wasn’t there?” Armand stared at her... [p. 34]

This was a real contrast to The Long Way Home: there's a murder in the first couple of chapters, and a plot that spans decades and continents. We learn more about some of the less storied inhabitants of Three Pines (Ruth and Monsieur Béliveau, the grocer, were activists in the 1970s: one of the villagers is a veteran of the Vietnam War) and a terrifying new -- or old -- threat is introduced.

The story opens with a small boy's discovery of something terrifying in the woods. His story isn't believed, because he's an imaginative kid and something of a fantasist. Soon after, he's found dead. Accident or murder? Gamache doubts the official verdict (the aftermath of corruption is still infesting the Sûreté du Québec) and is drawn into the investigation. 

In parallel, there's an amateur production of a play: when it turns out to be the work of a notorious serial killer, most of the actors withdraw. That might seem relatively trivial, but the ways in which these two plots intersect, and the agenda of the hapless CSIS (Canadian Security Intelligence Service) agents, is unexpected but as tight as clockwork.

There's a lot of discussion about whether one can separate the created and the creator -- Gamache thinks not: ("This is how he escapes. Through the written word, and the decency of others. This is how John Fleming gets into your head.") -- and about how those who have committed, or planned to commit, atrocities carry on with their lives. And part of a plot thread is about a horrendous plan to 'bomb Israel back to the Stone Age', which reads differently now than it would have when this novel was published.

I liked this a lot, though it's a dark novel and sows the seeds for more darkness ahead. I am looking forward to seeing how that darkness unravels, and is illuminated.

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