...there was something delightful about being able to feel Ulysses’s emotions, even if it was also sort of terrifying. Ulysses had big, messy, complex feelings that reminded Sam of dahlias, so bright and intricate. [p. 153]
As soon as I'd finished Dionysus in Wisconsin I went on to this sequel, set a few months later. Ulysses has almost finished his dissertation (which is about Sam and 'the problem of demigods') and winter is over. All seems promising until Livia, Ulysses' ex, turns up with a tale of woe about a murdered husband. She flirts outrageously, and meets up with Ulysses and Sam 'wearing a dress that looked like someone had crocheted it, and stopped early because they’d run out of yarn'.
Cue jealousy from Sam -- though, to be fair, he and Ulysses do discuss this and agree that Sam has no reason to feel threatened -- and self-doubt from Ulysses. To complicate matters, there's a cursed book; further discoveries about Sam's grandfather and his nefarious plots; and compost zombies. And the concern, raised by Dr Lesko -- Ulysses' formidable thesis adviser -- that the magical bond between Sam and Ulysses may have negative effects.
A great deal changes in the course of the novel: Sam is still experiencing the side-effects of being possessed by a god, while Ulysses is forced to reassess his life, his ambition and even his family. (The Lenkovs are delightful, and we get more of their history, including Cambridge and Paris: Sam's family are conspicuous by their absence, which is nice.) There is philosophy, blood magic (not a good thing) and a play about Macbeth and the witches. And the majority of the characters are likeable, imperfect, and interesting. The perfect read for a dull winter's day.
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