"I will fight for the women. I will fight for the maids. I will fight ... in some way ... to keep them safe. Even if that means," a scowl of displeasure about her lips, "fighting to defend some ... Greek king. If it needs a man on the throne to keep them safe, even a man like Odysseus, then ... they are what matter." [loc. 2159]
The culmination of the 'Songs of Penelope' trilogy, which began with Ithaca and continued with The House of Odysseus. In my review of the latter I wrote that I suspected the third book's narrator would be Athena, and so it is. Poor Athena. She's convinced that she will only be remembered because of Odysseus, whom she's championed lo these many years. 'A good story can outlast almost everything. And for that I need Odysseus.'
Finally his long journey home is complete, and he returns to Ithaca disguised as a beggar -- a disguise which fools Penelope for about three seconds. She is not pleased by her husband's return, and even less happy when he and their son Telemachus dispatch the importunate suitors (pre-drugged by Penelope's maids) and then hang some of the maids for fraternisation. (I was dreading this scene, and am relieved that in North's version of the story, only three of the maids are killed. But three is more than enough.) Penelope's fury at her husband for overturning everything she's built in his absence, and for provoking all-out warfare by his slaughter of the guests in his house, is palpable. She wants him dead. And yet she knows that if her transformation of Ithaca comes to light, she and all the women who've worked with her to preserve her island will perish at the hands of men.
Odysseus is almost monstrous, and Telemachus is weak: but Odysseus is also legendarily clever, and he begins to realise that Penelope is the reason he has a home to return to, and that she is the de facto queen of Ithaca -- not because of her marriage to him, but because of what she has achieved. And, in the end, it's Penelope, her women, and her astute alliances that save the day.
The writing is superlative, the characterisation acutely observed, and the description of the muddy, bloody, haphazard nature of Bronze Age warfare seems more likely than the cinematic depictions (Troy) of glorious combat. Athena, too, is vividly depicted: another female fighting to be taken seriously, her existence constrained by the expectations and prejudices of the other Olympian gods. But Penelope is at the heart of this story, and it is her story. She's the one who decides how it should be told, and how her husband's reputation will be shaped by the poets. Because nobody must ever know what she has done.
Thanks to the publisher and Netgalley for the advance review copy, in exchange for this full honest review. UK Publication Date is 18 JUN 2024.
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