2025/107: The Enigma Game — Elizabeth Wein

People being nice to you after someone has made you feel like a criminal or an enemy is just like sticking cardboard in your window after a bomb has blasted all the glass out of it. The hole is stopped up, but the glass is still smashed and you can’t see through the window any more. Everything in the room is uglier and darker. [loc. 2523]

Louisa Adair is fifteen and orphaned: it's 1940, her English mother died in the Balham bombing, and shortly afterwards her Jamaican father was killed when his merchant navy ship was torpedoed. (He couldn't enlist in the Royal Navy because he wasn't born in Europe.) She telephones to answer an advertisement for someone to look after an elderly aunt -- the advertiser, Mrs Campbell, can't tell from Louisa's 'polite English accent' that she's biracial -- and finds herself escorting the redoubtable 'Jane Warner' (actually Johanna von Arnim, a former opera singer) from an internment camp on the Isle of Man to a pub in a small Scottish village.

Stationed at the nearby airbase is Flight Lieutenant James G. Beaufort-Stuart (who also appears in Code Name Verity), nineteen and pretty good at keeping his squadron alive, despite their clunky Blenheim bombers and a CO who seems determined to ignore Jamie's input. And working as a driver at the airbase is Volunteer Ellen McEwen, of Traveller heritage, who appeared in The Pearl Thief. The narrative switches between the three protagonists, all of whom become involved in the acquisition and operation of a secret Enigma machine.

It's a great adventure story: it's also a depiction of period-typical racism (the little boy who thinks Louisa must be a German because he's never seen anyone like her before; Ellen instinctively reacting to an insulting comment about Louisa because she's all too familiar with the same kind of insult). And, poignantly, it features Jamie's 'wee sister' Julie. The Enigma Game is set years before Code Name Verity and is not nearly as harrowing, though there's plenty of peril and not everyone makes it to the end. I liked it very much, not least because of Wein's fantastic gift for writing about aviation: she's also very good at evoking the sheer inconvenience of wartime life.

Bonus Ancient Greece angle: code names in this novel include Odysseus and Calypso (Louisa being mistaken for the latter).

2025/106: Moira's Pen — Megan Whalen Turner

He should have recognised the danger when the king insisted on a formal introduction every time they met, forcing his sullen attendants to recite the diplomatic courtesies again and again, always with the pretense of never having heard them before, always with that same look of gleeful idiocy on his face. Beyond petty, beyond tedious, it was ridiculous. What kind of a king makes a mockery of himself? Melheret wished he'd seen the answer sooner... Only a king who was very sure of himself could afford to be laughed at. ['Melheret's Earrings, p.124]

A collection of short stories woven in and around the canon of the Queen's Thief series (which I have recently devoured and fallen in love with) plus maps, essays on archaeology and historical inspirations, and some beautiful illustrations. I'd read some of the stories and essays before, appended to the novels, but it is nice to have them all in one place. Even if that place is a hardcover book...

I was most intrigued by the last story in the book, 'Gitta': the protagonist is Princess Gittavjøre, a descendant of Gen and Irene, and she's reading the books that Pheris wrote about the life and times of Eugenides the Great. There are many hints about how matters played out in the Little Peninsula -- now Ephestalia - after the end of the series: some sad, some tantalising. If Turner ever decides to write a novel about Gitta, I'll definitely buy it.

Moira's Pen is not a long book, and most of the stories are quite slight: character studies or outsider viewpoints. It's as interesting for the insights into Turner's creative inspirations as for the extra glimpses of Gen, Helen and Irene. (And Laela!)