A hundred years ago, the family might have called in an exorcist and then I might really have been in trouble, but as it was, his steward could only regard me with nervous suspicion. [p. 209]
Manchuria, 1908. A woman known as Snow is searching for a Mongolian photographer; an elderly man named Bao has been asked to discover the identity of a woman found dead outside a house. Complicating the story is Snow's dual identity (she is also a fox, though she remains in human form throughout the novel), and Bao's ability to recognise when somebody is lying. There is also a family curse that's falling due, a long-lost childhood sweetheart, and a trio of youthful revolutionaries.
Snow's story is a tale of revenge, told in the first person; Bao's story, more reflective and more mundane, is the hunt for a murderer, and is told in third person. This, and their very different concerns and perceptions, make their voices distinct and complementary. Choo's depiction of Manchuria in the last days of the Qing dynasty is vivid and believable, though occasionally she over-explains some aspect of that place and time. The slow adoption of twentieth-century technology and culture was fascinating, too. I liked the two protagonists very much, and in general the story was well-paced, though towards the end the revelations and explanations came rather too quickly. I'm looking forward to reading more of Choo's work.
For the 'A book with white in the cover design' prompt of the 2025 #SomethingBookishReadingChallenge.
For the 'title is ten letters or fewer' prompt of the 52 in 52 (2025) challenge.